The Detective Work Behind a Recent Furniture Find
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Scandinavian Modern — Newsletter 08
We spend a great deal of time searching for good design at auctions, and my daughter is very good at finding interesting pieces online too. Sometimes discovering furniture for the store feels less like shopping and more like archaeology.
Increasingly, people contact us directly for advice about modern designs in their homes. A teak cabinet arrived in the studio workshop recently with no label and no obvious maker. The seller could tell me only that it had belonged to his father, who had spent his working life as a cabinet maker at Henry Stone & Son in Banbury.
That was enough to make us curious. The real hook, however, was the quality of the making. It clearly captured the spirit of British modernism.
As I cleaned the cabinet, I began to look more closely. The proportions felt beautifully balanced: an exercise in modernist proportion and choice of material. The joinery around the legs was articulate, but nothing shouted for attention. As a whole, it was clearly the product of craft and a working process that never ignored function.
Then I noticed a small brass catch stamped “Made in England” and carrying a maker’s monogram. It appears to be associated with S. Spegelstein & Son, a British manufacturer of cabinet fittings during the mid-century period.
Not the answer, but another clue.
Furniture often leaves these small traces behind. A hinge, lock, drawer runner or piece of hardware can suggest where and when something was made—or at least where its maker bought the components.
The next step is the Oxfordshire History Centre, where company catalogues and trade records may tell more of the story.
Whether the cabinet proves to be a documented Henry Stone & Son design almost becomes secondary. The pleasure lies in the investigation itself.
Every object has a history. Sometimes the furniture tells it immediately. Sometimes it asks you to do a little detective work first.
Sometimes the smallest details tell the biggest stories.